Category Archives: poetry

Goodbye Muhammad Ali

“I wish the people of the world loved each other as much as they love me.”

–Muhammad Ali

Goodbye Katherine Dunn

Goodbye you crazy good writer. Goodbye you purveyor of geek love, you hunter of living gargoyles, you lover of boxing as it should be and connoisseur of life in all its tawdry finery. We will miss you writing sentences that spin the head around.

P. S. Please finish Cut Man,
wherever you are.

On Vegetating in a Corner

“Broad, wholesome, charitable views of men and things cannot be acquired by vegetating in one little corner of the earth all one’s lifetime.”
–Mark Twain

Too Full to Talk About

Out beyond ideas of wrongdoing and right-doing there is a field. I’ll meet you there. When the soul lies down in that grass, the world is too full to talk about.

–Rumi

Refugee Camp

a fence line of blue toes
clanking stomachs
night cutting words

*This poem was first published in DoveTails Literary Journal

The Astonishing Light

”I wish I could show you, when you are lonely
or in darkness, the astonishing light
of your own being.”

–Hafez (Persian poet, 1325–1389)

Time Enough

The butterfly counts not months but moments, yet has time enough. 

-Rabindranath Tagore

Ask Me – by William Stafford

In 1992, shortly before his death,  William Stafford was commissioned by the State of Washington to provide seven poems to be installed on plaques alongside the Methow river, one of the most beautiful rivers in all of the Pacific Northwest. Ask Me was installed along the river in the town of Winthrop. I can go only so long in my life without reading it. It is one of my anchor and lifeline poems and it belongs along that river the same way Tibetan Buddhist paintings belong on the stone canyon walls of Nepal. 

Some time when the river is ice ask me
mistakes I have made. Ask me whether
what I have done is my life. Others
have come in their slow way into
my thought, and some have tried to help
or to hurt: ask me what difference
their strongest love or hate has made.

I will listen to what you say.
You and I can turn and look
at the silent river and wait. We know
the current is there, hidden; and there
are comings and goings from miles away
that hold the stillness exactly before us.
What the river says, that is what I say.

William Stafford

Black Iris VI

  “Nobody sees a flower, really…we haven’t time – and to see takes time,
like to have a friend takes time.”

— Georgia O’Keefe

I wasn’t looking for a friend,
here in this rich man’s private garden
thrown open to the masses for a few days,
and yet I found you.

Cousin to the sea of black irises
that grew behind the white clapboard
victorian era army house where I grew up,
the ones that swayed in the wind
like drunken sailors at a beach party.

Bolder than the fire dancers on Oahu,
hairy and loose-lipped like Elvis,
long-stemmed, thick-rooted,
they all competed for attention.
How could anyone not see them?

I guess the same way
we don’t see friends
for years and years
until we run into them
at a garden party.

Thoughts on Being a Warrior Writer and a Motherfucker

The author Cheryl Strayed says in a recent essay you must be a “warrior and a motherfucker” when it comes to being brave and resilient in your writing. I don’t believe this is enough. You must become a mental strip artist, an artisan for the broken, a pub singer of the damned, a babysitter of lost ideas, a window cleaner in a shit storm, a pole dancer in a literary hurricane, a taxi driver for the faintest of whims, a rambler through cemeteries, a curdler of fermented ideas, a rodeo clown at a funeral and a parade street sweeper of bullshit.

A writer must be able to ask the question: if in Alexandria in 275 BC, a 180 foot long gold-plated phallus was paraded through the streets of the city, flanked by elephants, a giraffe, a rhinoceros and decorated with ribbons and a gold star (according to Athenaeus,) where did they put the damned star?

No More Surplusage

“Use the right word, not its second cousin… Eschew surplusage.”

–Mark Twain

Handmade Book

Assembling a poem letter by letter in lead type to print on handmade paper is an act of sexual reproduction. Each letter comes from a worn wooden tray,a snippet of the tribe’s DNA code, facile in the hand, expectant.

Words reassemble themselves, replicating their ancient legacy,
ready to construct a new being. The hive mind provides the creative spark. Old stories recombine, sprout new green feathers and take wing.

You can feel the deep joy of nature in it. A happy parent now steps aside knowing the power and the limits of his role.

 

Walking In the Rain with Robert Frost

(First published by Red River Review)

I read you first for sound,
For basalt cliffs dripping in the rain,
For lines like seasoned chunks of oak crackling
In winter’s wood stove,
For glaciers scouring down to stone
And pecker-fretted apple trees
Dropping Gravensteins with a thump
That ring your poems round.

I read you a second time for fruit,
For tragedy fermented with time and wonder.
Drawn from spider webs and rime ice
And the breath of horses and the shoes of children.
Your poems are like golden muscat grapes
Bursting with tangy juice and bitter seeds to ponder.

I read you a final time for breath.
When my own is made halting by this splintered season
And I am lost enough to pull my own ladder road in behind me.
You breathed deeply of life and drank from its deepest sorrows.
You remind me there is oxygen enough
On life’s widest sunlit prairies and in its darkest crevices.

The Revenant

An ox makes a place to sleep in the straw.
Winter stretches its ice blanket over the barn.
A killer whale pulls one end northward towards Kigiktaq.

Morning, before sunrise, gulls where there were only blue sticks.
The sea makes a heaving shudder, lifting a rogue wave to look around.

The river ebbs, exposing the bones of an old hunter. Observant. Revenant.
A few stones shine like old moons.

Open Plains

In the mountains of Nepal I once saw a water buffalo being killed for food by a man using the blunt end of an ax.

The buffalo did not run and did not go down. It just stood there taking blows to the head. Like it knew something I didn’t.

The region I was in practices Tibetan Buddhism. Buddhism says there is only a vivid emptiness. It may be visited, but is unaffected by our day to day actions, like a buffalo that never goes down.

Obama on Poetry

It’s not clear that we would survive without poetry. 

–Barack Obama, April 27, 2015

Here’s to You

May the skin of you ass never cover a banjo!

–Welch toast

Keeping Quiet by Pablo Neruda 

Now we will count to twelve and we will all keep still. 

For once on the face of the earth, let’s not speak in any language; let’s stop for one second,and not move our arms so much.

It would be an exotic moment without rush, without engines; we would all be together in a sudden strangeness.

Fisherman in the cold sea would not harm whales and the man gathering salt would look at his hurt hands.

Those who prepare green wars, wars with gas, wars with fire, victories with no survivors, would put on clean clothes and walk about with their brothers in the shade, doing nothing.

What I want should not be confused with total inactivity. Life is what it is about; I want no truck with death.

If we were not so single-minded about keeping our lives moving, and for once could do nothing, perhaps a huge silencemight interrupt this sadness of never understanding ourselves and of threatening ourselves with death.

Perhaps the earth can teach us as when everything seems dead and later proves to be alive.

Now I’ll count up to twelve
and you keep quiet and I will go.
–Pablo Neruda 

The Wind From the Sea


The sheer window curtain bellies like a pregnant Muslim woman in her dupatta, filling with secret life from beyond the horizon.

Fine incisions written as tatters say the sea has been restless for ages. The tea kettle outside the painting purrs today will start out calm.

It is enough to know these things without having to say them. Wyeth’s painting holds them before us.

Beyond the curtain is a road leading to the sea, to whales and fishermen with sore red hands. And to you, and to me.

———————————

*Wind From the Sea was first published in the Ekphrastic Review

Directives, by Robert Frost

Back out of all this now too much for us,Back in a time made simple by the loss

Of detail, burned, dissolved, and broken off

Like graveyard marble sculpture in the weather

….

Here are your waters and your watering place. 

Drink and be whole again beyond confusion.

–Robert Frost